Nick Cave as coach

Nick Cave has initiated an interesting project answering questions sent in from his fans. The questions are searching. The meditations Nick Cave composes in reply are works of artistry in their own right.

Last year, I wrote about the transcendent experience of the Nick Cave and the Bad Seeds concerts that followed the death of his son. The first of his epistles addresses this very theme. He describes how immersion in work and – in so doing – recovering a sense of wonder helped him find community and accept his grief:

“I kind of realised that work was the key to get back to my life, but I also realised that I was not alone in my grief and that many of you were, in one way or another, suffering your own sorrows, your own griefs. I felt this in our live performances. I felt very acutely that a sense of suffering was the connective tissue that held us all together.”

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Nick Cave: the transcendent power of music

bad seeds

The most memorable and moving cultural event I experienced this year was seeing Nick Cave and the Bad Seeds perform at the London Arena in September. In fact, I could say that in any year I see the band in concert. But this year was especially poignant.

Rock music has acquired roughly the position in our culture that jazz had when I was growing up: the breakthrough art form of an earlier generation, kept on life support by an ageing cohort of afficionados. Nick Cave has been in the business a long time and manages to observe the boundaries of the form while keeping it fresh and innovative. He surrounds himself with musicians of the highest calibre and inventiveness and produces music that spans the spectrum from hard-edged, dark, aggression to the most heart-wrenching and romantic ballads. Nick Cave himself is a consumate performer: he strides the stage with visceral energy and has an electric relationship with his audience.

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