David Hockney’s Royal Academy exhibition, 82 Portraits and 1 Still-life, is a welcome respite from the bewilderment and despondency of Brexit-Britain.
The exhibition consists of a series of portraits that Hockney began on returning to Los Angeles after the untimely death of one of his studio assistants. In his grief, he lost his purpose and motivation. The series charts, therefore, his turning back to life and a gradual healing. The first portrait is of another of his studio staff, head down in anguish. He appears again towards the end of the series – two years later – more open, engaged and accepting. The series as a whole has a similar trajectory. Hockney begins with busyness and disharmony in the backgrounds but these give way to calmer backdrops, the better to study the people before him.